In Tchaikovsky’s intense opera of obsession and the supernatural, Gherman is caught between the woman he loves and a destructive fixation. The Queen of Spades is based on a short story by Pushkin, and comes to the Royal Opera House in a new production that has already garnered five star reviews in Amsterdam. The production is set in 1890, the year of the opera’s premiere.In his study, Tchaikovsky imagines the opera into life as his own story, its characters giving voice to his unfulfilled desires. Aleksandrs Antonenko and Eva-Maria Westbroek head the cast and Royal Opera Chorus, conducted by Antonio Pappano, Music Director of The Royal Opera. This is an engrossing portrayal of a tortured creative artist and a gripping piece of gothic storytelling.
From the thrill of unexpected romance to a heartbreaking reconciliation that comes too late – Verdi’s La traviata is one of the most popular of all operas. Alfredo falls in love in with the courtesan Violetta in glamorous Paris society, but underneath the surface run darker undercurrents, leading to a tragic ending. The opera’s wealth of melodies includes the famous Brindisi and the exuberant ‘Sempre libera’ – both showing the lyricism of Italian opera at its most immediately appealing.
Richard Eyre’s production for The Royal Opera brings out all the emotional colour, from the giddy discovery of love, through painful confrontation to the inevitable conclusion.Lavish period sets and costumes enhance the reality of a moving story based on true life.
APPROXIMATE RUNNING TIME: 3 HOURS 35 MINUTES, INCLUDING TWO INTERVALS | SUNG IN ITALIAN WITH ENGLISH SURTITLES
I’m Not Running is an explosive new play by David Hare, premiering at the National Theatre and broadcast live to cinemas.
Pauline Gibson has spent her life as a doctor, the inspiring leader of a local health campaign. When she crosses paths with her old boyfriend, a stalwart loyalist in Labour Party politics, she’s faced with an agonising decision.
What’s involved in sacrificing your private life and your peace of mind for something more than a single issue? Does she dare?
Hare was recently described by The Washington Post as ‘the premiere political dramatist writing in English’. His other work includes Pravda and Skylight, broadcast by National Theatre Live in 2014.
Don’t miss this revival of Sir Richard Eyre’s dynamicproduction. Mezzo-soprano Clémentine Margaine plays opera’s ultimateseductress, while Roberto Alagna returns to the role of Don José, thegood-hearted soldier in whom she unleashes an uncontrollable passion.
Cervantes’s story of the bumbling knight Don Quixote has inspired countless artistic interpretations. Marius Petipa choreographed this sparkling ballet about the encounters of the man from La Mancha and his faithful squire Sancho Panza. At its heart are virtuoso roles for the lovers Basilio and Kitri. Carlos Acosta chose this joyful classic for his first production for The Royal Ballet. His vibrant staging brings together the whole Company in such roles as exuberant villagers, passionate gypsies and even fantasy flowers. The story follows Don Quixote’s picaresque journey to do deeds in honourof his imaginary noble lady, Dulcinea. Sunny,charming, funny and touching – Don Quixote is a ballet as full of uplifting emotion as it is of astonishing ballet technique.
Full of wit and invention, Donizetti’s comic opera is adelight. The famous aria “Ah, Mes Amis,” with its nine high Cs, is one ofopera’s most show-stopping numbers. Pretty Yende and Javier Camarena take onthe challenging vocal fireworks in Laurent Pelly’s hilarious staging
Featuring some of the most glorious music ever written,including the Ride of the Valkyries - Die Walküre is the second of the fouroperas that comprise Wagner’s Ring cycle, a story of monsters, gods, and humanson a superhuman scale.
Leonora falls in love with Don Alvaro, but when her father forbids their marriage, a fatal accident triggers a drama of obsession, vengeance and tragedy. Jonas Kaufmann and Anna Netrebko star in Verdi’s epic La forza del destino (The Force of Destiny) an opera which demands the very best of singers for its powerful music and the fullesttheatrical treatment for its story of bitter revenge pursued across miles and years. The production comes to The Royal Operain a sensational staging from Amsterdam packed with colour and action. It is directed by Christof Loy and conducted by Antonio Pappano, Music Director of The Royal Opera.
There are many versions of the story of Faust, who trades his soul with the Devil for youth and power, but Gounod’s opera remains one of the most constantly enthralling. Michael Fabiano stars as Faust, with Diana Damrau as his beloved Marguerite and Erwin Schrott as the diabolical Méphistophélès.Virtuoso leading roles, a large chorus, sensational sets, ballet and anecstatic finale make this the epitome of theatrical spectacle – the lavish scale of French grand opera is wonderfully in evidence in this production by David McVicar, set in 1870s Paris. Above all, the music includes several of popular opera’s most recognizable numbers, performed by a cast of great international singers and the Royal Opera Chorus.
Met Music Director Yannick Nézet-Séguin leads Poulenc’smasterpiece. This devastating portrayal of faith and martyrdom is live in HDfor the first time.
broadcastlive from the Old Vic theatre in London in co-production with Headlong.Arthur Miller’s blistering classic drama will star Academy Award-winner SallyField (Steel Magnolias, Brothers & Sisters) and Bill Pullman (WhileYou Were Sleeping, Independence Day) and will be directed by Jeremy Herrin(previously directed National Theatre productions of This House and People,Places and Things).
America, 1947. Despite hard choices and even harder knocks, Joeand Kate Keller are a success story. But nothing lasts forever as long buriedtruths are forced to the surface and the price of their American dream is laid bare.
TWO RECENT WORKS AND ONE WORLD PREMIERE SHOWCASE THE CONTEMPORARY FACE OF THE ROYAL BALLET.
The contemporary face of The Royal Ballet is shown in works from three of today’s leading choreographers. Christopher Wheeldon’s Within the Golden Hour is based around seven couples separating and intermingling, to music by Vivaldi and Bosso and lit with rich colours suggested by sunset.
Crystal Pite’sFlight Pattern, revived for the first time, uses a large dance ensemble and Górecki’s familiar music from his Symphony of Sorrowful Songs for a poignant and passionate reflection on migration.
Between them, a new work by Sidi Larbi Cherkaoui, created on behalf of The Royal Ballet has its premiere to bring the contemporary truly up-to-date.
Shakespeare’s enduring love story is known the world over.Since its 1965 premiere with The Royal Ballet, Kenneth MacMillan’s Romeo and Juliet has become a modern ballet classic. The choreography captures the emotions of the young couple as they fall in love, despite the barriers that finally bring about the story’s tragic end. Each revival gives opportunities for new dancers to interpret the doomed lovers. The whole Company brings the colour and action of Renaissance Verona, where a busy market all too quickly bursts into sword fighting, and a family feud leads to tragedy for both the Montagues and Capulets.